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Frerk G.

@FGuentzler

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3D Artist (Environment, Weapons, Hard Surface)

$25 USD / Hour

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Germany (2:19 AM)

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Joined on October 16, 2019

$25 USD / Hour

・

I'm a 3D Artist from Frankfurt, Germany. This year I completed my Digital Art Studies at the Games Academy Frankfurt focusing on Environment Art, Weapon Art and Hard Surface Art. Before this I already participated in several projects as you can see on my LinkedIn Profile ([login to view URL]). Beside my freelancer work I'm currently looking for a entry position as 3D artist in the Frankfurt/Main area.

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Portfolio

Portfolio

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

I created this weapon over the last month for the upcoming game "Revenants" from Black Ice Studios LLC.
It's based on the concept from Longque Chen (https://www.artstation.com/chenlongque)
Even if it took longer then I thought it was a nice experience with some really good insight into FPS asset creation. Thanks to Mark Bos (https://www.artstation.com/revolutionart) and all the other team members for your awesome feedback and help.
Vert Count: 4.835
Texture: (2x 2k (body & attachments), 1x 1k (ammo box))

Heavy Machine Gun - MG45

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

Exam work for my Digital Environment Course at Games Academy.
The task was to create a small scene matching a the style of a current game and I choose Batman Arkham Knight.
There were also some restriction to keep the scene small (max. 5 assets and 3 tiling textures).
The scene shows the "office" of the Priest. A evil version of Bruce Wayne who lost all his money and power because of Batman. He got insane and now believes that he is on a mission from god to purge the "Unholy Crusader". Just before Batman found his hideout the Priest found a connection between Bruce Wayne and Batman.

Batman Arkham Cathedral

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

3D Model based on a concept from Ken Fairclough (
https://www.artstation.com/artwork/star-citizen-low-tech-security-turret).
Vert Count: 35.292
Textures: 3x 4k
I decided to do the weapon itself on a separate texture sheet so it can be easily exchange if needed. This then leads to two UV sheets fot the rest of the turret (base and arm) to keep the pixel density similar.
Updated 23/04: Updated the textures based on feedback

Star Citizen - Low Tech Security Turret

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

Based on the amazing Artwork by Kris Thaler (
https://www.artstation.com/artwork/m5yyZ)
Finally decided to do one of my favorite weapon concept art.
The project gave me the chance to work on my material library (finally get some decent gun-metal base) as well as practicing some more high poly modelling.
Verts: 7967 (7455 Pistol, 512 Battery)
Texture: 4k (Pistol), 2k (Battery)

Plasmapistol

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

A small environment I created over the last month.
The idea was to create a science-fantasy tomb based on a concept art by Budley (https://budley.cgsociety.org/idux/dwarven-throne-room).
It was a very interesting project. From start on I wanted to work as efficient as possible. Because of this I decided to use substances in Unreal. The master substance can be modified in engine by plug in black & white masks I created in Photoshop. This allowed me to tailor the material to the mesh without having to add additional geometry to it or create unique textures for the larger parts (like floors or the pillars). For smaller parts like the fence, chests or the coffin I used a classic high to low workflow with unique UVs. To be consistent I used the same substance in engine and as base for the unique textures in substance painter.
The fire and fog VFX are from the Unreal Infinity Blades: Effect package.

Techomancer Tomb

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

I created this building based on a concept art given to me as an art-test for a mobile studio.
It was done within one week and was a very interesting project due to the poly-limit (5k) and the focus on mobile & modular creation.
4998 polys
3x 1k unique textures (modular pieces, unique building parts, cauldron)
3x 1k tiling textures (claywall, stonewall, roof)

Alehouse - Arttest

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Certificated Digital Artist

2017 - 2019

•

2 years

Germany

2017 - 2019

•

2 years