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Graphic Design
Logo Design
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$15 USD / hour
Flag of BGFlag of BG
plovdiv,
bulgaria
$15 USD / hour
It's currently 4:07 AM here
Joined August 20, 2020
0 Recommendations

Dimitar Z.

@LogosByDim

5.0
(1 reviews)
5.0
(1 reviews)
1.8
1.8
$15 USD / hour
Flag of BGFlag of BG
plovdiv,
bulgaria
$15 USD / hour
100%
Jobs Completed
100%
On Budget
100%
On Time
N/A
Repeat Hire Rate

Professional Visuals You Can Be Proud Of

You've only got one chance to make an impactful first impression - make it count with a polished design from an experienced specialist. I'm Dimitar Zlatanski, a Bulgarian-based graphic designer who specializes in brand identity design. My goal as a designer is to help improve your brand awareness by creating unique and recognizable visuals that effectively deliver the right message to your target audience and encourage them to engage with you. ✓ Logo Design Services ✓ Brand Style Guidelines
Freelancer
Graphic Designers
Bulgaria

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Portfolio Items

Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Aafter designing the logo for Samwtich, I was commissioned with a follow-up task to preapre professional logo brand style guidelines to accompany their new visual identity. I designed a document in a familiar PDF file format for the employees at Samwitch to ensure their logo always looks good when used by anyone within the company.

I prepared a neatly organized and easy-to-follow document with instructions, rules, and recommendations covering the following:

- Visual tone or voice of the brand with a mood board.

- Meaning behind the icon of the logo and its story.

- Color palette covering CMYK, RGB and PANTONE specifications.

- Typeface used in the logo.

- Logo variations including icons, emblem, lockup, and wordmark.

- Brand signs and signages.

- Logo proportions and proper sizing.

- Minimum web and print sizes.

- Proper logo usage with example do's and don'ts.

- Logo on mockups.

All of the content was put together in a simple, minimalistic, and easy-to-follow layout.
Samwitch - Brand Style Guidelines
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Samwitch is a local food stall selling sandwiches in Singapore. Realizing that a great visual would help them stand out, they decided to rebrand their image with a new logo. My task was to design it.

This brand was highly product-oriented. That's why the client requested me to depict a sandwich in the design, as they already had a sketch. 

I made two logo ideas: one depicting a diagonally cut sandwich with thick texture lines, and one based on the shape of a letter 'S' to represent their name. They didn't like either of these. That's when I made what you see here, a new and improved icon that was ultimately approved.

It wasn't that easy, though. The client asked for countless revisions and wanted to experiment a lot. I am happy with that, because, in the end, we discovered a great solution. 

After finishing the logo, I put together a professional brand style guide. It included rules and recommendations about how the logo should be used correctly and to ensure it always looks good.
Samwitch - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
Cobaia is the Portuguese word for "Guinea Pig" and the name of a new clothing line targeted at young upper-class people between 15 and 30. The core values for this brand were experimentation, innovation, ahead of its time, and leading. 

My idea was to only use a typeface instead of depicting an animal. The guinea pig walks in a very flexible manner and behaves almost like a curve, something I kept in mind while choosing the font. I presented three wordmark ideas, which all hint at experimentation and quality.

The first idea is a letter C wrapping around the letter O to suggest "experimenting with different clothing" as a core value, using a lucrative font.

The second idea was the same concept but executed differently, with the syllables CO and BAIA separated and in contrast to each other to communicate "trying a new combination."

The last idea was a more futuristic approach, with a geometric font for a contemporary look and yet another combination of t
Cobaia - Logo Design
La Melcoccha is a local bakery shop located in Medellin, Antioquia, Columbia. They bake delicious sweets like fudge brownies, cakes, and giant cookies.

The vision for this brand is to offer the finest of desserts to loyal customers, mostly sugar lovers looking for a pleasing experience. The logo had to convey a feel of premium quality and vintage style.

A challenging task was to figure out how to best position the words. We decided to put "La" above "Melchoccha" to make it more prominent because the last is means a thick, handmade candy in Columbian.

I designed an emblem and styled it like a royal stamp, keeping in mind people who seek premium-quality sweets. To accomplish that, I used a Royal Signage, serif font, and enhanced the effect with a few ornaments.

I aimed to keep a balance between the royal feel and the modern look of the design. Both the client and I chose a simple pattern for the outline of the emblem, so it looks more contemporary.
La Melcoccha - Logo Design
La Melcoccha is a local bakery shop located in Medellin, Antioquia, Columbia. They bake delicious sweets like fudge brownies, cakes, and giant cookies.

The vision for this brand is to offer the finest of desserts to loyal customers, mostly sugar lovers looking for a pleasing experience. The logo had to convey a feel of premium quality and vintage style.

A challenging task was to figure out how to best position the words. We decided to put "La" above "Melchoccha" to make it more prominent because the last is means a thick, handmade candy in Columbian.

I designed an emblem and styled it like a royal stamp, keeping in mind people who seek premium-quality sweets. To accomplish that, I used a Royal Signage, serif font, and enhanced the effect with a few ornaments.

I aimed to keep a balance between the royal feel and the modern look of the design. Both the client and I chose a simple pattern for the outline of the emblem, so it looks more contemporary.
La Melcoccha - Logo Design
La Melcoccha is a local bakery shop located in Medellin, Antioquia, Columbia. They bake delicious sweets like fudge brownies, cakes, and giant cookies.

The vision for this brand is to offer the finest of desserts to loyal customers, mostly sugar lovers looking for a pleasing experience. The logo had to convey a feel of premium quality and vintage style.

A challenging task was to figure out how to best position the words. We decided to put "La" above "Melchoccha" to make it more prominent because the last is means a thick, handmade candy in Columbian.

I designed an emblem and styled it like a royal stamp, keeping in mind people who seek premium-quality sweets. To accomplish that, I used a Royal Signage, serif font, and enhanced the effect with a few ornaments.

I aimed to keep a balance between the royal feel and the modern look of the design. Both the client and I chose a simple pattern for the outline of the emblem, so it looks more contemporary.
La Melcoccha - Logo Design
La Melcoccha is a local bakery shop located in Medellin, Antioquia, Columbia. They bake delicious sweets like fudge brownies, cakes, and giant cookies.

The vision for this brand is to offer the finest of desserts to loyal customers, mostly sugar lovers looking for a pleasing experience. The logo had to convey a feel of premium quality and vintage style.

A challenging task was to figure out how to best position the words. We decided to put "La" above "Melchoccha" to make it more prominent because the last is means a thick, handmade candy in Columbian.

I designed an emblem and styled it like a royal stamp, keeping in mind people who seek premium-quality sweets. To accomplish that, I used a Royal Signage, serif font, and enhanced the effect with a few ornaments.

I aimed to keep a balance between the royal feel and the modern look of the design. Both the client and I chose a simple pattern for the outline of the emblem, so it looks more contemporary.
La Melcoccha - Logo Design
La Melcoccha is a local bakery shop located in Medellin, Antioquia, Columbia. They bake delicious sweets like fudge brownies, cakes, and giant cookies.

The vision for this brand is to offer the finest of desserts to loyal customers, mostly sugar lovers looking for a pleasing experience. The logo had to convey a feel of premium quality and vintage style.

A challenging task was to figure out how to best position the words. We decided to put "La" above "Melchoccha" to make it more prominent because the last is means a thick, handmade candy in Columbian.

I designed an emblem and styled it like a royal stamp, keeping in mind people who seek premium-quality sweets. To accomplish that, I used a Royal Signage, serif font, and enhanced the effect with a few ornaments.

I aimed to keep a balance between the royal feel and the modern look of the design. Both the client and I chose a simple pattern for the outline of the emblem, so it looks more contemporary.
La Melcoccha - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
Bamboo Global is a team of enthusiasts fighting against air pollution by planting bamboo trees in every place in the world. Bamboo trees produce high amounts of oxygen, and Bamboo Global has invented a strategy to raise them with minimal CO2 emissions.

The vision for this brand is to share this ambition with like-minded people so they can connect and grow a society, represented by a suitable logo.

The design of the iconic mark is a combination of both a chain of leaves and a sphere. A whirl of leaflets symbolizes continuous progress, one tree at a time, while the globe emphasizes the worldwide importance of the mission.

As for the typeface, I chose a straightforward geometrical font that subtly resembles the branches of the Bamboo plant.

For colors, I chose a dull shade of green to express fresh oxygen and Bamboo stems, contrasted with a light green to speak of a clean environment. Lastly, I added a tone of brown to the lowermost text to convey the company's eco-friendly approach.
Bamboo Global - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design
The client wanted to visualize a specific idea he had in mind for a new logo. He needed a design that was inspired by a couple of photos of jewelry that he particularly liked.

He presented me with images of small, metallic ornaments like hearts, wings, and symbols and pointed out what exactly he favored the most in each photo. We discussed each picture together and drew inspiration from shapes, patterns, and details we could use. This collaboration allowed me to get a clear idea of how the client envisioned the finished work.

Now that I had a good idea of what he was looking for, I experimented with different compositions for the style of the wings until we found a suitable shape we could further develop.

The most complicated task was to design the feathers of the wings. We had reference photos, but they had to be unique and match the rest of the design. I decided to manually draw them all with a calligraphy tool, which allowed me to be precise and achieve a one-of-a-kind look.
Infinite Wings - Logo Design

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$20.00 SGD
A relatively new designer, but one with great passion and professionalism in his works. He is humble, quick to respond, and reliable. Thanks Dimitar! Will definitely work with you again.
Graphic Design
Illustrator
Logo Design
Photoshop
Photoshop Design
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Flag of SG Chaderic O. @chadericong
14 days ago

Experience

Internship With Norwegian Company

Elektro A. Sjølyst AS
Jul 2018 - Dec 2019 (1 year, 5 months)
Worked alongside a qualified professional and approached Norwegian-speaking clients, while we both communicated in Bulgarian, and executed tasks requiring English. Earned invaluable experience in speaking and writing Norwegian for 10 years while living and working in Norway, and studying English. This has allowed me to deliver stellar communication to my clients at Freelancer. > English - fluent > Norwegian - near native > Bulgarian - native

Qualifications

Logo Design

LinkedIn
2020
Completed a certified course by famous graphic designer and illustrator Von Glitschka, head of Glitschka Studios. Expanded my understanding and sharpened my skills in the process of developing a visual identity for a brand. Ultimately, I learned about logo design best practises from a professional in the industry and how I can implement them in my own design process, beneficial for both me and my clients.

Adobe Illustrator

LinkedIn
2020
Earned a badge for showing understanding and knowledge about the fundamentals of Adobe Illustrator tools, settings, features, and the use of Vector Graphics Editor - Adobe Illustrator CC.

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