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Artur N.

@Zwickmueller

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Graphic Designer

Germany (12:14 PM)

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Joined on September 4, 2015

I am a professional graphic designer from Hamburg, Germany. Specialized in printed matter and conceptual design, I offer modern visual solutions without neglecting the digital reality and needs of our time.

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Portfolio

Portfolio

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Excerpt from the Introduction:
“We are living in a world that is shaped by technology. Our lives have changed and they are going to change even more drastically. The internet has altered our ways of thinking and living. By exploring the internet not as a static place, but as an ever-changing, vivid and diverse environment, I try to preserve our current state of mind. Each page has the potential to be an extension of our senses and therefore is able to tell us stories about ourselves. As a wanderer I am trying to capture these stories by roaming through the internet with the same mindset which I would have, when I visit a city for the first time.I observe my surroundings, I take pictures, I overhear conversations, I speak to locals, I participate, I visit their festivals, I make notes, I doodle and make sketches, I just sit and watch. This book is an associative, fragmentary and wild trip through our accelerated culture, made entirely out of found footage from the web"

Tales of a Wanderer

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Stilvorlagen is a annual series of lectures organised and curated by students from the HAW Hamburg. Each year, the students create the branding for the events itself and participate in self initiated workshops, which are thematically connected to the invited speakers. Each student holds the responsibility to guide and interview one of the speakers. The experiences and results of the workshops are then summarized and combined in several readers.

In collaboration with Cristina Poelk and Lena Musmann, I guarded the lecture of Eva Rucki (Troika) and Emma Thomas (A Practice for Everyday Life) from London. Through a turning cover, both designers could be portrayed in a single reader, while still having their own respective cover and contents.

Stilvorlagen

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

Schirm, German for ‘screen’ or ‘umbrella’.
“Etwas auf dem Schirm haben” colloquial for “To be aware of something”.

SCHIRM was my personal approach towards understanding the (pseudo) art movement around the New Aesthetic. The outcome was a hybrid between an archive, a blog and a magazine. The physical magazine is not only an archive of the theoretical foundation of the movement, but it also portraits the diverse spectrum of opinions regarding the significance of the New Aesthetic, wether the New Aesthetics “is the attempted
imposition on the public of a new way of perceiving reality”¹ or if “there is no meaning, because it’s only a style; not an aesthetic in the broader sense, but one limited in scope to what has already happened and lacking an ability to dream into the future”². The true function of the archive will become apparent if the New Aesthetic is going to establish itself or not.

¹ Bruce Sterling, An Essay on the New Aesthetic
² Hrag Vartanian, A Not-So-New Aesthetic

SCHIRM MAGAZINE

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

The calendar project ‘53’ was initiated by 10 students of the Department Design at the HAW Hamburg. Each of the 53 weeks was assigned by drawing lots. The participants researched past events which happened in the same calendar week for inspiration.

This resulted in 53 unique illustrations that were combined in a handmade calendar. The calendar information are perforated, so after a year of using, the calendar becomes book.

57 pages
37 × 27.5cm
Printed with the Risograph NZ 770 E on Munken Print White 150g
The cover was silkprinted on Black Magic 700g
Edition of 300 (Sold out)
Artur Neufeld — 53 Calendar

53 - Calendar

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Hochschule für Angewandte Wissenschaften Hamburg (HAW Hamburg)

2011 - 2015

•

4 years

Bachelor of Arts in Communication Design

Germany

2011 - 2015

•

4 years