This publication is intended primarily to those who study music seriously, whether amateur or professional, student or teacher, popular or classical. The information stated herein are the result of extensive research that continues forever and ranges from the more academic courses in various schools even the intense experience in the practice of many years of professional work front diverse audiences and repertoire of many different styles and work from solo, duos, trios, bands, ensembles and orchestras in many categories. Some information is not available in any other publication because they are absolutely original, but some others are well known to scholars.
Some more advanced technical concepts are put, sometimes very simple and this is deliberate. Also, almost all exercises are written in the key of C major, leaving the practitioner with the task of dominating them in all other tones. This is also deliberate.
Another point to note is the emphasis on practice and theory together, you need the basic knowledge of music theory, perception and reasoning but not academic are charged constantly, where it is suggested that students create variations and models similar to those shown here, and although some persons may surprise some more exotic exercises presented here, they all were chosen with all the criteria. Some are addressed to the other body and the mind.
The exercises are divided by subject and by level each one is free to concentrate on any subject they want in whatever order you want. The important thing is making sure that each subject matter is well understood and implementation is very fluent, because there is a subtle connection between them and, together produce results fast, solid and permanent. There is no material here that works for only a few or only in certain cases; The content of this book is effective for all and all the exercises work. The results appear naturally and persist.